Stars of UK VFX set to shine at Creative Week in London
A wealth of talent from the UK VFX industry is set for a strong showing at BAFTA in London this coming Wednesday, as the inauguaral VFX-Imagination Unlimited conference gets underway.
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UK VFX brings zombie-fest World War Z to life
Visual effects house Cinesite completed over 430 shots on Paramount’s World War Z, including turning Glasgow into Philadelphia, as well as stereo conversion of the VFX. Framestore’s Art Department developed the concepts for the film’s zombies and their unique style of movement, while The Third Floor provided digital previsualisation for the film. MPC also contributed VFX to bring the zombie swarms to horrific life.
UK Budget statement details additional funds for digital content industries
Additional funding for R&D and Skills and public consultation on support for VFX through the tax system
Dino Diner
A fully CG dinosaur goes on a culinary rampage in the latest commercial by Framestore for Kellogg’s Crunchy Nut.
War Horse : VFX on the Front Line
Framestore was the sole provider of digital visual effects for Steven Spielberg’s War Horse, delivering over 200 shots to the movie.
VES announces nominees for 10th Annual Awards
“Tintin” leads with most feature nominations; “Boardwalk Empire” for broadcast
Harry Potter ends in a flood of VFX
Framestore finishes VFX work on Harry Potter and the Deathly Hallows: Part II, marking the end of ten years of helping to bring the world created by JK Rowling to magical life
DNEg scoops VFX Bafta
Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.
Horns of a dilemma
Framestore has taken Philips’ Parallel Lines campaign into a new dimension with RSA’s The Foundling, with stereo 3D postproduction using SGO Mistika
Fizzing fantasy
Nexus directors Fx & Mat and Framestore have created an entirely CG 60-second film, Siege. The epic fantasy spot for Wieden + Kennedy Portland and Coca Cola aired in the US at Super Bowl XLV
Rude elf
Harry Potter and the Deathly Hallows: Part 1 sees Framestore providing some of its finest work yet, including recreated house-elves, a magical animated storybook sequence and other dazzling VFX- 110 shots in all.
Piers Hampton moves to Prime Focus London
Prime Focus has appointed broadcast VFX and post-production veteran Piers Hampton as executive producer in London
Matt Turner is new Rushes Director of Telecine
Top colourist Matt Turner is to join Rushes as Director of Telecine from August 2nd 2010.
