Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
Gramercy Park Studios creates series of promos for Channel 5’s Big Brother, using Flame, RealFow, Maya and Bullet dynamics
Tom Cruise is in a perilous state in Edge of Tomorrow, courtesy of VFX from MPC and Cinesite
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
MPC’s VFX team created an animated digital feline, complete with skeleton, fur,muscle structure and a talent for belting out Starship’s “We Built This City” for Three
Leviathan has created a visually arresting title sequence for The Red Road, a new SundanceTV original scripted series.
Autodesk has introduced Maya LT 2014, a new 3D modelling and animation suite tailored for independent and mobile game developers.
MPC creates dramatic VFX for Stink’s Adam Berg’s monumental film for Ubisoft Assassins Creed ‘Black Flag’
Autodesk’s Entertainment Creation Suite 2014 features 3D animation, visual effects and creative tools updated to offer new workflow enhancements
A supermarket in a folded world revolving to reveal the 4seven logo: it’s the latest collaboration between MPC, 4Creative and Man vs Machine.
Framestore has joined forces with BBH for a global deodorant advertising campaign where consumers can win a trip into space.
A fully CG dinosaur goes on a culinary rampage in the latest commercial by Framestore for Kellogg’s Crunchy Nut.
Cinesite has completed over 800 visual effects shots and converted over 87 minutes into 3D for Disney’s John Carter.
Framestore was the sole provider of digital visual effects for Steven Spielberg’s War Horse, delivering over 200 shots to the movie.
Framestore has created a cute, but not so cuddly CG koala for a Specsavers TV ad.