The Oscar-winning studio delivers 500 action-packed VFX shots during the Marvel blockbuster’s finale
Tagged: Visual Effects
Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
MPC’s 1100 VFX shots for the fifth Pirates of the Caribbean movie include epic ship battles, a motley crew of ghost sailors, CG islands and ghost sharks
Tom Cruise is in a perilous state in Edge of Tomorrow, courtesy of VFX from MPC and Cinesite
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
The Visual Effects Society (VES), held its 12th Annual Awards this week, with UK teams from Framestore and Moving Picture Company among those honoured
Autodesk’s Entertainment Creation Suite 2014 features 3D animation, visual effects and creative tools updated to offer new workflow enhancements
A mammoth digital beanstalk, CG environments, digital set extensions and destruction work were on the MPC menu for Bryan Singer’s Jack the Giant Slayer.
“Tintin” leads with most feature nominations; “Boardwalk Empire” for broadcast
Brickyard VFX has created a promo for Beyoncé’s new release ‘4’, which presents a hand-painted view of iconic international landmarks.
The Mill’s double-BAFTA winning TV team has created the iconic ticking crocodile for Sky Movies HD’s forthcoming live-action movie epic, Neverland.
Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.
Framestore has taken Philips’ Parallel Lines campaign into a new dimension with RSA’s The Foundling, with stereo 3D postproduction using SGO Mistika
Nexus directors Fx & Mat and Framestore have created an entirely CG 60-second film, Siege. The epic fantasy spot for Wieden + Kennedy Portland and Coca Cola aired in the US at Super Bowl XLV