Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
Category: Film Techniques
Trunk has created an animated film for the song Pretty Polly, from Lodestar, the first album in 38 years from folk singer Shirley Collins
Jack Driscoll’s colourful handmade film for Tinct Handbags uses a combination of stop motion and high-speed filming to showcase leather accessories.
LipSync completed full post on BBC TWO’s Wolf Hall with the facility providing audio, VFX, grading, titles and all deliverables
Sports filmmaker Daryl Goodrich has directed a large format, 180-degree surround sound film as a centrepiece for The Olympic Museum, in Lausanne.
Euro RSCG London launches Dulux ‘Let’s colour’ campaign with a spot by Adam Berg for Stink Productions celebrating a global series of painting events
Stardust has created a TV and cinema spot for the Ford 2011 Mustang which fuses seductive camera work and aggressive type treatments.
Typhoon CP has created a film to represent the avant-garde and experimental designs of the Boudicca couture fashion house, with post work by UNIT
Typhoon CP has created a series of commercials for PC World by using an innovative motion control filming technique