Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
Framestore has provided a wide range of VFX for HBO ten-parter Lovecraft Country, bringing to life the creatures from H.P. Lovecraft’s Cthulhu mythos
Flavor has created highly amusing and high quality CG animation and motion graphics for the 2020 AICP Post Awards show package, with music by Yessian
Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
Post Malone thrills audiences on his Beerbongs & Bentleys World Tour with huge LED video screen effects powered by disguise pro servers and Notch software
The botanical art of Marianne North is being celebrated in beautiful animated form on International Woman’s Day in a film by Trunk for Kew Gardens
Adobe has acquired Allegorithmic, in a move intended to boost immersive and interactive content creation for users of its Creative Cloud tools
MPC crafts over 1000 shots, from CG environments including palaces, forests and rivers, to large-scale FX work, digital character builds and animation
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
It’s done and dusted now, but during the 2018 World Cup Gentleman Scholar crafted a nice little animated tribute to the beautiful game, celebrating a handful of different players and their nations. The designers, animators and...
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.