Digital Domain faces up to the heady challenge of making M.O.D.O.K.
To create M.O.D.O.K. for Marvel Studios’ Ant-Man and The Wasp: Quantumania, Digital Domain turned actor Corey Stoll into a fully CG character.
To create M.O.D.O.K. for Marvel Studios’ Ant-Man and The Wasp: Quantumania, Digital Domain turned actor Corey Stoll into a fully CG character.
The blocky 70’s style titles for The Guardians of the Galaxy Holiday Special, currently showing on Disney+, have a deceptively complex back story.
The Oscar-winning studio delivers 500 action-packed VFX shots during the Marvel blockbuster’s finale
The Sarofsky titles for The Staircase reflect the complex mysteries inherent in the story in a visually exciting way
Digital Domain has created CG crowds numbering in the thousands as well as two new magical locations for the wizarding world in Warner Bros. Pictures’ Fantastic Beasts: The Secrets of Dumbledore.
Design & Illustration / Graphic Design / Inspiration / Motion Graphics
by Michael Burns · Published 20 February 2022 · Last modified 20 December 2022
Sarofsky glams up title sequence for The Suicide Squad spinoff Peacemaker with 80s metal fonts and neon colours
Framestore has delivered magical VFX for Gil Kenan’s film A Boy Called Christmas, with 342 artists taking 70 weeks to create 874 CG character, environment and animation shots
Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
Milk created 850 VFX shots for sci-fi series Intergalactic, spanning stunning planet and city environments, crashing spacecraft and a doomed spacewalk
by Michael Burns · Published 18 March 2021 · Last modified 20 March 2021
Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
Framestore has provided a wide range of VFX for HBO ten-parter Lovecraft Country, bringing to life the creatures from H.P. Lovecraft’s Cthulhu mythos
Flavor has created highly amusing and high quality CG animation and motion graphics for the 2020 AICP Post Awards show package, with music by Yessian
Animation & Visual Effects / Film Techniques / Inspiration / Postproduction / Visual Effects
by Michael Burns · Published 28 June 2019
Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
Post Malone thrills audiences on his Beerbongs & Bentleys World Tour with huge LED video screen effects powered by disguise pro servers and Notch software
The botanical art of Marianne North is being celebrated in beautiful animated form on International Woman’s Day in a film by Trunk for Kew Gardens
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
T&F and Valiant splash out for Vilcek Foundation
27 August 2013
Broadcast News / Interactive / Interactive & Web / Scotland / Web & Interactive News
BBC makes multiplatform history
18 January 2010