The blocky 70’s style titles for The Guardians of the Galaxy Holiday Special, currently showing on Disney+, have a deceptively complex back story.
The Oscar-winning studio delivers 500 action-packed VFX shots during the Marvel blockbuster’s finale
Framestore has delivered magical VFX for Gil Kenan’s film A Boy Called Christmas, with 342 artists taking 70 weeks to create 874 CG character, environment and animation shots
Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
Extended Reality Group has revealed its workflow behind a Hooray Agency and Psyop campaign for Resorts World Las Vegas, featuring UE, VFX and LED volumes
Milk created 850 VFX shots for sci-fi series Intergalactic, spanning stunning planet and city environments, crashing spacecraft and a doomed spacewalk
Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
London linkup: Post facility Molinare has announced a partnership with veteran VFX and animation boutique Atomic Arts
Framestore has provided a wide range of VFX for HBO ten-parter Lovecraft Country, bringing to life the creatures from H.P. Lovecraft’s Cthulhu mythos
Framestore was creative partner on Andy Serkis’ Mowgli: Legend of the Jungle, a live-action adaptation of Rudyard Kipling’s 1894 novel ‘The Jungle Book’, delivering 1164 shots of VFX work for the feature. Framestore’s film team took...
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse