Digital Domain faces up to the heady challenge of making M.O.D.O.K.
To create M.O.D.O.K. for Marvel Studios’ Ant-Man and The Wasp: Quantumania, Digital Domain turned actor Corey Stoll into a fully CG character.
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Pixel power-ups: Maxon springs big update for Cinema 4D, Red Giant, Redshift, ZBrush, and more
Maxon has updated its entire product line, with new features for tools such as Cinema 4D, Redshift, Red Giant, ZBrush, Forger, Magic Bullet, and Cineware.
Total immersion: Wētā Digital’s VFX toolset on Avatar: The Way of Water
Take a deep dive into the technology behind Avatar: The Way of Water, including the 2,225 VFX water shots for James Cameron’s latest blockbuster
Sarofsky adds retro touch to The Guardians of the Galaxy Holiday Special
The blocky 70’s style titles for The Guardians of the Galaxy Holiday Special, currently showing on Disney+, have a deceptively complex back story.
Digital Domain creates elemental VFX, CG heroes, and battling digidoubles for Wakanda Forever
The Oscar-winning studio delivers 500 action-packed VFX shots during the Marvel blockbuster’s finale
Sarofsky’s house of glass leads viewers into The Staircase
The Sarofsky titles for The Staircase reflect the complex mysteries inherent in the story in a visually exciting way
Digital Domain creates VFX magic from Berlin to Bhutan in The Secrets of Dumbledore
Digital Domain has created CG crowds numbering in the thousands as well as two new magical locations for the wizarding world in Warner Bros. Pictures’ Fantastic Beasts: The Secrets of Dumbledore.
Full metal dance off: Sarofsky continues James Gunn titles run with The Suicide Squad’s Peacemaker
Sarofsky glams up title sequence for The Suicide Squad spinoff Peacemaker with 80s metal fonts and neon colours
Framestore delivers magic & mice for A Boy Called Christmas
Framestore has delivered magical VFX for Gil Kenan’s film A Boy Called Christmas, with 342 artists taking 70 weeks to create 874 CG character, environment and animation shots
Digital Domain delivers world-shattering VFX for Loki
Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
ERG reveals an Unreal volume of VFX in Resorts World Las Vegas campaign by Psyop and Hooray Agency
Extended Reality Group has revealed its workflow behind a Hooray Agency and Psyop campaign for Resorts World Las Vegas, featuring UE, VFX and LED volumes
Milk breaks out stellar VFX for Intergalactic
Milk created 850 VFX shots for sci-fi series Intergalactic, spanning stunning planet and city environments, crashing spacecraft and a doomed spacewalk
Unreal-powered animation Killtopia primed by Voltaku
Forthcoming cyberpunk saga will consist of eight 20-minute episodes, based on graphic novel series created by Dave Cook and Craig Paton
Flame on: Realtime reimagines dragons for The Watch
Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
Virtual production boost for disguise xR
Update to xR software brings tighter integration with Unreal Engine through ACES colour management, DirectX12, Deep Learning Super Sampling and 10-bit HDR processing
Atomic Arts makes moves with Molinare
London linkup: Post facility Molinare has announced a partnership with veteran VFX and animation boutique Atomic Arts
Lovecraft Country calls on Framestore for Cthulhu horror VFX
Framestore has provided a wide range of VFX for HBO ten-parter Lovecraft Country, bringing to life the creatures from H.P. Lovecraft’s Cthulhu mythos
