Framestore delivers magic & mice for A Boy Called Christmas
Framestore has delivered magical VFX for Gil Kenan’s film A Boy Called Christmas, with 342 artists taking 70 weeks to create 874 CG character, environment and animation shots
Framestore has delivered magical VFX for Gil Kenan’s film A Boy Called Christmas, with 342 artists taking 70 weeks to create 874 CG character, environment and animation shots
Framestore has provided a wide range of VFX for HBO ten-parter Lovecraft Country, bringing to life the creatures from H.P. Lovecraft’s Cthulhu mythos
Framestore was creative partner on Andy Serkis’ Mowgli: Legend of the Jungle, a live-action adaptation of Rudyard Kipling’s 1894 novel ‘The Jungle Book’, delivering 1164 shots of VFX work for the feature. Framestore’s film team took...
Framestore has recreated Michael Bond’s famous Paddington bear for his big screen debut.
A wealth of talent from the UK VFX industry is set for a strong showing at BAFTA in London this coming Wednesday, as the inauguaral VFX-Imagination Unlimited conference gets underway.
Postproduction / VFX / Visual Effects
by The Editor · Published 2 April 2014 · Last modified 1 July 2016
Aiming to mix drinks in zero-G for a Robinsons spot, Framestore took a trip up in a vomit comet to capture weightlessness for real.
They’ll be extending the trophy cabinet at Framestore this morning after Gravity scooped the Best Visual Effects award as well as a clutch of other Oscars, including Best Cinematography, Best Film Editing, Best Original Score, Best Sound Editing, Best Sound Mixing and the Best Directing award.
The Visual Effects Society (VES), held its 12th Annual Awards this week, with UK teams from Framestore and Moving Picture Company among those honoured
Concept Art / Postproduction / Stereoscopic 3D / VFX / Visual Effects
by The Editor · Published 25 June 2013 · Last modified 1 July 2016
Visual effects house Cinesite completed over 430 shots on Paramount’s World War Z, including turning Glasgow into Philadelphia, as well as stereo conversion of the VFX. Framestore’s Art Department developed the concepts for the film’s zombies and their unique style of movement, while The Third Floor provided digital previsualisation for the film. MPC also contributed VFX to bring the zombie swarms to horrific life.
Framestore delivered 113 shots for Iron Man 3 in eight weeks, working on the titular hero himself and helping set the look for one of the movie’s key effects – Extremis.
Cross-media / Film News / Postproduction Studios / Technology news / TV production news / VFX News
by The Editor · Published 20 March 2013
Additional funding for R&D and Skills and public consultation on support for VFX through the tax system
Postproduction / VFX / Visual Effects
by The Editor · Published 14 January 2013 · Last modified 1 July 2016
Framestore has joined forces with BBH for a global deodorant advertising campaign where consumers can win a trip into space.
A fully CG dinosaur goes on a culinary rampage in the latest commercial by Framestore for Kellogg’s Crunchy Nut.
Award-winning VFX artist returns to former facility after four years at Dreamworks
Framestore has created a cute, but not so cuddly CG koala for a Specsavers TV ad.
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
T&F and Valiant splash out for Vilcek Foundation
27 August 2013
Broadcast News / Interactive / Interactive & Web / Scotland / Web & Interactive News
BBC makes multiplatform history
18 January 2010