Digital Domain faces up to the heady challenge of making M.O.D.O.K.
To create M.O.D.O.K. for Marvel Studios’ Ant-Man and The Wasp: Quantumania, Digital Domain turned actor Corey Stoll into a fully CG character.
Category: Visual Effects
Digital Domain creates elemental VFX, CG heroes, and battling digidoubles for Wakanda Forever
The Oscar-winning studio delivers 500 action-packed VFX shots during the Marvel blockbuster’s finale
Sarofsky’s house of glass leads viewers into The Staircase
The Sarofsky titles for The Staircase reflect the complex mysteries inherent in the story in a visually exciting way
Digital Domain creates VFX magic from Berlin to Bhutan in The Secrets of Dumbledore
Digital Domain has created CG crowds numbering in the thousands as well as two new magical locations for the wizarding world in Warner Bros. Pictures’ Fantastic Beasts: The Secrets of Dumbledore.
Framestore delivers magic & mice for A Boy Called Christmas
Framestore has delivered magical VFX for Gil Kenan’s film A Boy Called Christmas, with 342 artists taking 70 weeks to create 874 CG character, environment and animation shots
Digital Domain delivers world-shattering VFX for Loki
Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
Milk breaks out stellar VFX for Intergalactic
Milk created 850 VFX shots for sci-fi series Intergalactic, spanning stunning planet and city environments, crashing spacecraft and a doomed spacewalk
Flame on: Realtime reimagines dragons for The Watch
Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
Lovecraft Country calls on Framestore for Cthulhu horror VFX
Framestore has provided a wide range of VFX for HBO ten-parter Lovecraft Country, bringing to life the creatures from H.P. Lovecraft’s Cthulhu mythos
Captain Marvel finished with flying colours
Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
MPC clocks up a grand display of VFX for Disney’s The Nutcracker and the Four Realms
MPC crafts over 1000 shots, from CG environments including palaces, forests and rivers, to large-scale FX work, digital character builds and animation
MPC Film adds creature features to The Predator
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
VFX Legion adds to Superfly carnage with over 100 vfx shots
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
Twin Pines infests 16th-century Seville with a host of VFX for La Peste
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
Maxine Gervais applies a royal grade to Black Panther
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
