The Sarofsky titles for The Staircase reflect the complex mysteries inherent in the story in a visually exciting way
Category: Visual Effects
Digital Domain has created CG crowds numbering in the thousands as well as two new magical locations for the wizarding world in Warner Bros. Pictures’ Fantastic Beasts: The Secrets of Dumbledore.
Framestore has delivered magical VFX for Gil Kenan’s film A Boy Called Christmas, with 342 artists taking 70 weeks to create 874 CG character, environment and animation shots
Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
Milk created 850 VFX shots for sci-fi series Intergalactic, spanning stunning planet and city environments, crashing spacecraft and a doomed spacewalk
Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
Framestore has provided a wide range of VFX for HBO ten-parter Lovecraft Country, bringing to life the creatures from H.P. Lovecraft’s Cthulhu mythos
Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
MPC crafts over 1000 shots, from CG environments including palaces, forests and rivers, to large-scale FX work, digital character builds and animation
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.