Digital Domain has created CG crowds numbering in the thousands as well as two new magical locations for the wizarding world in Warner Bros. Pictures’ Fantastic Beasts: The Secrets of Dumbledore.
Tagged: post production
Sarofsky glams up title sequence for The Suicide Squad spinoff Peacemaker with 80s metal fonts and neon colours
Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
London linkup: Post facility Molinare has announced a partnership with veteran VFX and animation boutique Atomic Arts
Autodesk’s flagship 3D VFX and finishing tool moves to a software-only subscription-based product, running on Mac OS X as well as Linux
Adobe will reveal an updated Creative Cloud for video at IBC this week, sporting a cleaner, updated UI, streamlined multiproject workflows and enhanced support for large projects
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
MPC completed approximately 250 VFX shots on fantasy adventure 47 Ronin, creating fully CG characters, simulations and digital environments.
The DataRoom will provide a central London data centre for render farms, storage and private cloud applications for VFX and Post Production companies
Assimilate shines a light on the talent working on set and in post for many of the films in this year’s Cannes Film Festival, which starts tomorrow.
Adobe is tempting users of Apple Final Cut Pro and Avid Media Composer to switch to its professional video tools.
Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.
Framestore has taken Philips’ Parallel Lines campaign into a new dimension with RSA’s The Foundling, with stereo 3D postproduction using SGO Mistika
Adobe has made the Lightroom 3.2 and Camera Raw 6.2 Release Candidates available for immediate download on Adobe Labs.