Sarofsky adds retro touch to The Guardians of the Galaxy Holiday Special
The blocky 70’s style titles for The Guardians of the Galaxy Holiday Special, currently showing on Disney+, have a deceptively complex back story.
Tagged: post production
Digital Domain creates elemental VFX, CG heroes, and battling digidoubles for Wakanda Forever
The Oscar-winning studio delivers 500 action-packed VFX shots during the Marvel blockbuster’s finale
Digital Domain creates VFX magic from Berlin to Bhutan in The Secrets of Dumbledore
Digital Domain has created CG crowds numbering in the thousands as well as two new magical locations for the wizarding world in Warner Bros. Pictures’ Fantastic Beasts: The Secrets of Dumbledore.
Full metal dance off: Sarofsky continues James Gunn titles run with The Suicide Squad’s Peacemaker
Sarofsky glams up title sequence for The Suicide Squad spinoff Peacemaker with 80s metal fonts and neon colours
Digital Domain delivers world-shattering VFX for Loki
Digital Domain has engaged in world-sized destructive VFX for Marvel Studios’ Loki, complete with flaming meteors and the total destruction of a moon
Flame on: Realtime reimagines dragons for The Watch
Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
Atomic Arts makes moves with Molinare
London linkup: Post facility Molinare has announced a partnership with veteran VFX and animation boutique Atomic Arts
Flame 2016 – out of the box and on to the Mac
Autodesk’s flagship 3D VFX and finishing tool moves to a software-only subscription-based product, running on Mac OS X as well as Linux
Adobe preps new look video tools for IBC
Adobe will reveal an updated Creative Cloud for video at IBC this week, sporting a cleaner, updated UI, streamlined multiproject workflows and enhanced support for large projects
Cinesite creates the ancient world anew for 300: Rise of an Empire
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
MPC unleashes demons, battling samurai and fire on 47 Ronin
MPC completed approximately 250 VFX shots on fantasy adventure 47 Ronin, creating fully CG characters, simulations and digital environments.
The DataRoom set to serve VFX and post
The DataRoom will provide a central London data centre for render farms, storage and private cloud applications for VFX and Post Production companies
Assimilate Scratches backs on eve of Cannes
Assimilate shines a light on the talent working on set and in post for many of the films in this year’s Cannes Film Festival, which starts tomorrow.
Adobe lures FCP (and Avid) users
Adobe is tempting users of Apple Final Cut Pro and Avid Media Composer to switch to its professional video tools.
DNEg scoops VFX Bafta
Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.
