Tagged: maya

Natural growth

Rushes has met a number of complex 3D and compositing challenges in the postproduction for a campaign of six separate Daily Mail commercials.

American alien

Planet 51 is a retro-styled animated feature movie and game produced in Spain for international release, created by Ilion Animation Studios and Pyro Studios using a pipeline including Autodesk 3ds Max and Maya

Reanimated anime

Astro Boy, the long-awaited animated film version by Imagi Studios of the iconic Japanese manga character, was created using a Maya-based, around-the-clock production pipeline spanning Hong Kong and Hollywood.

Garbage man

A campaign for the French Environmental Agency (Ademe), features a ‘rubbish’ monster created by MPC, which follows people around as they go about their daily routine.

Cheesy tale

Directors dom&nic have directed Kerry Low Low’s latest commercial Mouse, with a MPC team creating a fully CG rodent and 50,000 traps

Fashion Circuit

Typhoon CP has created a film to represent the avant-garde and experimental designs of the Boudicca couture fashion house, with post work by UNIT

Aerial infection

Prime Focus VFX has created 124 effects shots for the Stephen Sommers film “G.I. JOE: The Rise of Cobra”,  work that entailed building a complex animation pipeline and orchestrating a flying swarm of bioweaponry for an aerial sequence.

Pond life

Hollywood VFX veteran Michael Fink unveils his directing debut for Indian TV – an amphibious Prime Focus commercial for Lotte Coffy Bite toffee.

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