MPC hoists Black Flag with cinematic VFX
MPC creates dramatic VFX for Stink’s Adam Berg’s monumental film for Ubisoft Assassins Creed ‘Black Flag’
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MPC reveals Prometheus VFX breakdown
MPC has released its visual effects technical breakdown of Prometheus, on YouTube
MPC recruitment roadshow
MPC needs to hire a host of creative, technical and overall exciting individuals to join its world-leading VFX company, so is about to hit the road for a European tour
The Mill, Framestore, MPC and DNeg pick up VES nominations
Among the UK companies honoured at the annual VES awards, The Mill has received three nominations, MPC has four, Framestore has six, while Double Negative is in the running for four awards.
Atomic Arts makes moves with Molinare
London linkup: Post facility Molinare has announced a partnership with veteran VFX and animation boutique Atomic Arts
Stargate London launch heralds Apocalypse Slough
Stargate Studios has opened Stargate London to offer VFX and virtual production to the UK TV and film industries.
Stars of UK VFX set to shine at Creative Week in London
A wealth of talent from the UK VFX industry is set for a strong showing at BAFTA in London this coming Wednesday, as the inauguaral VFX-Imagination Unlimited conference gets underway.
Gravity wins best VFX for Framestore among magnificent seven Oscar haul
They’ll be extending the trophy cabinet at Framestore this morning after Gravity scooped the Best Visual Effects award as well as a clutch of other Oscars, including Best Cinematography, Best Film Editing, Best Original Score, Best Sound Editing, Best Sound Mixing and the Best Directing award.
UK VFX brings zombie-fest World War Z to life
Visual effects house Cinesite completed over 430 shots on Paramount’s World War Z, including turning Glasgow into Philadelphia, as well as stereo conversion of the VFX. Framestore’s Art Department developed the concepts for the film’s zombies and their unique style of movement, while The Third Floor provided digital previsualisation for the film. MPC also contributed VFX to bring the zombie swarms to horrific life.
UK Budget statement details additional funds for digital content industries
Additional funding for R&D and Skills and public consultation on support for VFX through the tax system
Giant VFX bean feast
A mammoth digital beanstalk, CG environments, digital set extensions and destruction work were on the MPC menu for Bryan Singer’s Jack the Giant Slayer.
Box shifting
A supermarket in a folded world revolving to reveal the 4seven logo: it’s the latest collaboration between MPC, 4Creative and Man vs Machine.
Cats with thumbs!
Imagine the power felines would have if they developed opposable thumbs! This spot for Cravendale reveals all, with the help of MPC
DNEg scoops VFX Bafta
Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.
Snake charming
MPC completed over 180 shots for Harry Potter and the Deathly Hallows, Part 1, including bringing Nagini the snake to life, creating digi-doubles for the ‘polyjuice transformation’ sequence and carrying out extensive environment work.
