DNeg merges with Prime Focus World
Double Negative and Prime Focus World merge to form a global entity offering VFX, stereo conversion and animation
Double Negative and Prime Focus World merge to form a global entity offering VFX, stereo conversion and animation
Tom Cruise is in a perilous state in Edge of Tomorrow, courtesy of VFX from MPC and Cinesite
A wealth of talent from the UK VFX industry is set for a strong showing at BAFTA in London this coming Wednesday, as the inauguaral VFX-Imagination Unlimited conference gets underway.
The latest X-Men blockbuster, Days of Future Past, saw lead VFX studio MPC deliver 372 shots, including a monster mutant hunter, virtual environments, CG aircraft and even pyramids.
Animation / Branding / Inspiration / VFX / Visual Effects
by The Editor · Published 28 April 2014 · Last modified 2 May 2014
Golden Sq and Disqo have carried out the production and VFX on a series of morphing idents for Viasat History, as part of a multi-channel rebrand.
Double Negative (DNeg) has announced the formation of a new Feature Animation Division led by ex-Dreamworks Associate Producer, Tom Jacomb.
London VFX house Nvizible has branched out to Northern Ireland, with the launch of Nvizible Belfast.
Postproduction / VFX / Visual Effects
by The Editor · Published 2 April 2014 · Last modified 1 July 2016
Aiming to mix drinks in zero-G for a Robinsons spot, Framestore took a trip up in a vomit comet to capture weightlessness for real.
Inspiration / VFX / Visual Effects
by The Editor · Published 21 March 2014 · Last modified 1 May 2014
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
Branding / Postproduction / VFX / Visual Effects
by The Editor · Published 18 March 2014 · Last modified 1 July 2016
MPC’s VFX team created an animated digital feline, complete with skeleton, fur,muscle structure and a talent for belting out Starship’s “We Built This City” for Three
London VFX house Nvizible, part of the Ngroup, is increasing capacity and expanding its virtual production and mocap capabilities.
They’ll be extending the trophy cabinet at Framestore this morning after Gravity scooped the Best Visual Effects award as well as a clutch of other Oscars, including Best Cinematography, Best Film Editing, Best Original Score, Best Sound Editing, Best Sound Mixing and the Best Directing award.
The Visual Effects Society (VES), held its 12th Annual Awards this week, with UK teams from Framestore and Moving Picture Company among those honoured
MPC completed approximately 250 VFX shots on fantasy adventure 47 Ronin, creating fully CG characters, simulations and digital environments.
Milk reveals the work behind the dramatic explosion sequences in Sherlock and three stereoscopic CG creatures in David Attenborough’s Natural History Museum Alive 3D.
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
T&F and Valiant splash out for Vilcek Foundation
27 August 2013
Broadcast News / Interactive / Interactive & Web / Scotland / Web & Interactive News
BBC makes multiplatform history
18 January 2010