Cinematographer Jeremy Benning on creating the look of The Expanse
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
Tagged: vfx
MPC delivers destructive VFX and digital doubles for The Dark Tower
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
Lola takes two-year CG trip for the new Teletubbies
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
MPC’s heroic effort delivers hundreds of VFX shots for Wonder Woman
MPC completed 500 VFX shots for Wonder Woman, delivering hero digital characters, crowd simulations, destruction simulations and environment extensions
MPC creates lively VFX for Pirates of the Caribbean: Dead Men Tell No Tales
MPC’s 1100 VFX shots for the fifth Pirates of the Caribbean movie include epic ship battles, a motley crew of ghost sailors, CG islands and ghost sharks
A beard of bees for Miss Peregine’s peculiar child
One Of Us has created a team a swarm of face-hugging CG bees for a character in Tim Burton’s Miss Peregrine’s Home for Peculiar Children
MPC brings out the big guns for Independence Day: Resurgence
MPC Film has created more than 200 vfx shots for Independence Day: Resurgence, including the action-packed opening sequence on the Moon.
GPS delivers smashing VFX for Big Brother ident
Gramercy Park Studios creates series of promos for Channel 5’s Big Brother, using Flame, RealFow, Maya and Bullet dynamics
MPC storms ahead on The Finest Hours
MPC completed around 900 shots across 10 months of post-production for heroic action-thriller, The Finest Hours.
Flame 2016 – out of the box and on to the Mac
Autodesk’s flagship 3D VFX and finishing tool moves to a software-only subscription-based product, running on Mac OS X as well as Linux
Perrier spot takes off with a riot of colourful VFX from MPC Paris
MPC’s work on a Fleur & Manu spot for Perrier offers a frenetic explosion of colours and sounds over the stunning backdrop of the Iguazu Falls.
Milk standing by for Thunderbirds action
Milk is working with ITV Studios as the creative and collaborative VFX production hub for the forthcoming reimagining of Gerry Anderson’s classic sci-fi TV show – Thunderbirds are Go!
MPC adds magic to Into the Woods
MPC has created 300 2D and 3D VFX shots for Disney’s Into the Woods, including digital doubles, CG creatures, environments, elements and digital matte painting.
LipSync reveals secrets behind world of Wolf Hall
LipSync completed full post on BBC TWO’s Wolf Hall with the facility providing audio, VFX, grading, titles and all deliverables
Framestore creates marmalade, mayhem and more for Paddington
Framestore has recreated Michael Bond’s famous Paddington bear for his big screen debut.
