Realtime was a key creative partner on Discworld-set series The Watch, delivering extensive post-vis, high-end VFX and crafting two very different dragons
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Autodesk’s flagship 3D VFX and finishing tool moves to a software-only subscription-based product, running on Mac OS X as well as Linux
The Sarofsky titles for The Staircase reflect the complex mysteries inherent in the story in a visually exciting way
Extended Reality Group has revealed its workflow behind a Hooray Agency and Psyop campaign for Resorts World Las Vegas, featuring UE, VFX and LED volumes
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
Gramercy Park Studios creates series of promos for Channel 5’s Big Brother, using Flame, RealFow, Maya and Bullet dynamics
MPC has created 300 2D and 3D VFX shots for Disney’s Into the Woods, including digital doubles, CG creatures, environments, elements and digital matte painting.
The latest X-Men blockbuster, Days of Future Past, saw lead VFX studio MPC deliver 372 shots, including a monster mutant hunter, virtual environments, CG aircraft and even pyramids.
Golden Sq and Disqo have carried out the production and VFX on a series of morphing idents for Viasat History, as part of a multi-channel rebrand.
Framestore has joined forces with BBH for a global deodorant advertising campaign where consumers can win a trip into space.
Framestore was the sole provider of digital visual effects for Steven Spielberg’s War Horse, delivering over 200 shots to the movie.
Visual effects studio Brewster Parsons, advertising agency twofifteenmccann and Anonymous Content director Malcolm Venville have collaborated on spots to show how the Kinect for Xbox 360 has inspired people to experience the world in new ways.
Digital Domain has created an all-CG spot, ‘Dust to Dust’, for Gears of War 3. The digital production studio in collaboration with twofifteenmccann, Epic Games, and director Adam Berg, put the 60- second spot together using an innovative virtual production technique
Framestore has created a cute, but not so cuddly CG koala for a Specsavers TV ad.
Fuel VFX delivered 120 shots in six sequences for the latest Marvel blockbuster Captain America: The First Avenger, subjecting the superhero to a battery of elements