The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
Adobe has used MAX in Las Vegas to significantly update Creative Cloud, adding new products and AI features
Adobe is taking its venerable photo editing and organising application to a more mobile dimension with the cloud-based Lightroom CC
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
MPC completed 500 VFX shots for Wonder Woman, delivering hero digital characters, crowd simulations, destruction simulations and environment extensions
MPC’s 1100 VFX shots for the fifth Pirates of the Caribbean movie include epic ship battles, a motley crew of ghost sailors, CG islands and ghost sharks
Adobe Stock receives a triple boost, with ‘aesthetic’ search capability, Powerpoint plug-in and new collections including editorial images from Reuters
People often ask if investing in VR will make money. A new nonprofit initiative asks instead how immersive media can be used to effect social change.
Struggling designers! Submit unhelpful comments from your creative leaders to win a Hovering Art Director action figure in this Adobe Stock competition
Chicago’s 150 Media Stream experiential sculpture by McCann Systems, Digital Kitchen & Leviathan is a beautiful, technologically impressive digital canvas
A massive real time data art installation by The Mill draws upon analysis of music, social media and news by IBM’s Watson supercomputer
A campaign by McCann London for the Doctors of the World charity sees vintage biblical nativity scenes starkly juxtaposed with PA photographs of conflict zones across the Middle East
Trunk has created an animated film for the song Pretty Polly, from Lodestar, the first album in 38 years from folk singer Shirley Collins