MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
Senior colourist Park Jin-Ho walks us through some of his work on Park Chan-wook’s award-winning thriller
We take a long look at the smartphone with the triple Leica lens. Could this premium phone really be the ultimate pocket camera?
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
It’s done and dusted now, but during the 2018 World Cup Gentleman Scholar crafted a nice little animated tribute to the beautiful game, celebrating a handful of different players and their nations. The designers, animators and...
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
With Stranger Things back on Netflix, the musicMagpie blog jumps 33 years to give fans an illustrated vision of how the main characters would look today
Adobe has used MAX in Las Vegas to significantly update Creative Cloud, adding new products and AI features
Adobe is taking its venerable photo editing and organising application to a more mobile dimension with the cloud-based Lightroom CC
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
MPC completed 500 VFX shots for Wonder Woman, delivering hero digital characters, crowd simulations, destruction simulations and environment extensions
Adobe acquires all SkyBox technology from 360°/VR software developer Mettle, aiming to integrate VR editing & effects into Creative Cloud by end of the year
MPC’s 1100 VFX shots for the fifth Pirates of the Caribbean movie include epic ship battles, a motley crew of ghost sailors, CG islands and ghost sharks
Adobe Stock receives a triple boost, with ‘aesthetic’ search capability, Powerpoint plug-in and new collections including editorial images from Reuters