creative inspirations and revelations
Framestore was creative partner on Andy Serkis’ Mowgli: Legend of the Jungle, a live-action adaptation of Rudyard Kipling’s 1894 novel ‘The Jungle Book’, delivering 1164 shots of VFX work for the feature. Framestore’s film team took...
MPC crafts over 1000 shots, from CG environments including palaces, forests and rivers, to large-scale FX work, digital character builds and animation
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
Senior colourist Park Jin-Ho walks us through some of his work on Park Chan-wook’s award-winning thriller
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
It’s done and dusted now, but during the 2018 World Cup Gentleman Scholar crafted a nice little animated tribute to the beautiful game, celebrating a handful of different players and their nations. The designers, animators and...
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
We take a long look at the smartphone with the triple Leica lens. Could this premium phone really be the ultimate pocket camera?
Colour Grading / Postproduction / Visual Effects
by Michael Burns · Published 8 March 2018 · Last modified 27 September 2018
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Cinematography / Inspiration / Visual Effects
by Michael Burns · Published 18 January 2018 · Last modified 8 March 2019
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
With Stranger Things back on Netflix, the musicMagpie blog jumps 33 years to give fans an illustrated vision of how the main characters would look today
Adobe has used MAX in Las Vegas to significantly update Creative Cloud, adding new products and AI features
by Michael Burns · Published 18 October 2017 · Last modified 8 November 2017
Adobe is taking its venerable photo editing and organising application to a more mobile dimension with the cloud-based Lightroom CC
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
T&F and Valiant splash out for Vilcek Foundation
27 Aug, 2013
Broadcast News / Interactive / Interactive & Web / Scotland / Web & Interactive News
BBC makes multiplatform history
18 Jan, 2010