Manchester-based facility dock10 has announced that it will be offering 4k UHD-ready virtual studio capability based on games technology
Adobe has announced performance updates and new innovations for video and audio tools in Creative Cloud, including the ability to automatically remove unwanted objects from video footage
The botanical art of Marianne North is being celebrated in beautiful animated form on International Woman’s Day in a film by Trunk for Kew Gardens
Adobe has acquired Allegorithmic, in a move intended to boost immersive and interactive content creation for users of its Creative Cloud tools
Framestore was creative partner on Andy Serkis’ Mowgli: Legend of the Jungle, a live-action adaptation of Rudyard Kipling’s 1894 novel ‘The Jungle Book’, delivering 1164 shots of VFX work for the feature. Framestore’s film team took...
MPC crafts over 1000 shots, from CG environments including palaces, forests and rivers, to large-scale FX work, digital character builds and animation
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
Senior colourist Park Jin-Ho walks us through some of his work on Park Chan-wook’s award-winning thriller
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
It’s done and dusted now, but during the 2018 World Cup Gentleman Scholar crafted a nice little animated tribute to the beautiful game, celebrating a handful of different players and their nations. The designers, animators and...
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
We take a long look at the smartphone with the triple Leica lens. Could this premium phone really be the ultimate pocket camera?
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.