Take a deep dive into the technology behind Avatar: The Way of Water, including the 2,225 VFX water shots for James Cameron’s latest blockbuster
Archived features and published material
Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
Causing a bit of controversy in the 3D industry, vfxwages.com promises to offer VFX, animation and games industry professionals a database of typical salary figures for their job role and geographical location.
James Harkin recently gave a talk at the Edinburgh Film Festival on increasing appearance of non-linear narrative in mainstream film and TV. Here are some thoughts on his seminar.