Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
Archived features and published material
Causing a bit of controversy in the 3D industry, vfxwages.com promises to offer VFX, animation and games industry professionals a database of typical salary figures for their job role and geographical location.
James Harkin recently gave a talk at the Edinburgh Film Festival on increasing appearance of non-linear narrative in mainstream film and TV. Here are some thoughts on his seminar.
Digital Arts has published my feature on Web trends we’re likely to see this year .
From the archives-my feature on Creating Commercial Characters for Digital Arts