Golden Sq and Disqo brush up on historical figures
Golden Sq and Disqo have carried out the production and VFX on a series of morphing idents for Viasat History, as part of a multi-channel rebrand.
Animation / Branding / Inspiration / VFX / Visual Effects
by The Editor · Published 28 April 2014 · Last modified 2 May 2014
Golden Sq and Disqo have carried out the production and VFX on a series of morphing idents for Viasat History, as part of a multi-channel rebrand.
Galaxy 61 has created an opulent show intro for VH1’s new US season of The Fabulous Life.
Postproduction / VFX / Visual Effects
by The Editor · Published 2 April 2014 · Last modified 1 July 2016
Aiming to mix drinks in zero-G for a Robinsons spot, Framestore took a trip up in a vomit comet to capture weightlessness for real.
Inspiration / VFX / Visual Effects
by The Editor · Published 21 March 2014 · Last modified 1 May 2014
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
Branding / Postproduction / VFX / Visual Effects
by The Editor · Published 18 March 2014 · Last modified 1 July 2016
MPC’s VFX team created an animated digital feline, complete with skeleton, fur,muscle structure and a talent for belting out Starship’s “We Built This City” for Three
MPC completed approximately 250 VFX shots on fantasy adventure 47 Ronin, creating fully CG characters, simulations and digital environments.
Milk reveals the work behind the dramatic explosion sequences in Sherlock and three stereoscopic CG creatures in David Attenborough’s Natural History Museum Alive 3D.
Postproduction / VFX / Visual Effects
by The Editor · Published 3 December 2013 · Last modified 1 May 2014
LipSync Post has provided VFX and full postproduction services for two BBC One dramas that mark the 50th anniversary of The Great Train Robbery
Stereoscopic 3D / VFX / Visual Effects
by The Editor · Published 25 November 2013 · Last modified 1 May 2014
The BBC’s Doctor Who 50th anniversary episode: The Day of the Doctor scooped 10.2 million viewers last Saturday, aided by 129 visual effects from Milk
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
by The Editor · Published 27 August 2013 · Last modified 1 May 2014
T&F has teamed up with Valiant Pictures to produce a dazzling and organic cinematic ident for The Vilcek Foundation
Cross-media / VFX / Visual Effects
by The Editor · Published 21 August 2013 · Last modified 1 July 2016
MPC creates dramatic VFX for Stink’s Adam Berg’s monumental film for Ubisoft Assassins Creed ‘Black Flag’
Golden Square has carried out VFX for David Beckham’s first advert for Sky Sports, an effects-heavy spot featuring multiple versions of the celebrity/footballer.
Concept Art / Postproduction / Stereoscopic 3D / VFX / Visual Effects
by The Editor · Published 25 June 2013 · Last modified 1 July 2016
Visual effects house Cinesite completed over 430 shots on Paramount’s World War Z, including turning Glasgow into Philadelphia, as well as stereo conversion of the VFX. Framestore’s Art Department developed the concepts for the film’s zombies and their unique style of movement, while The Third Floor provided digital previsualisation for the film. MPC also contributed VFX to bring the zombie swarms to horrific life.
Framestore delivered 113 shots for Iron Man 3 in eight weeks, working on the titular hero himself and helping set the look for one of the movie’s key effects – Extremis.
A mammoth digital beanstalk, CG environments, digital set extensions and destruction work were on the MPC menu for Bryan Singer’s Jack the Giant Slayer.
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
T&F and Valiant splash out for Vilcek Foundation
27 August 2013
Broadcast News / Interactive / Interactive & Web / Scotland / Web & Interactive News
BBC makes multiplatform history
18 January 2010