The DataRoom will provide a central London data centre for render farms, storage and private cloud applications for VFX and Post Production companies
Category: VFX News
Nvizible is working on VFX for UK sci-fi film, Our Robot Overlords, starring Gillian Anderson and Sir Ben Kingsley
Milk, a new London-based, high-end visual effects facility has launched, founded by former creatives and execs from the Mill’s Film and TV division.
Adobe has revealed significant updates to its video products and officially launched Adobe Anywhere for Video in preparation for NAB.
Autodesk’s Entertainment Creation Suite 2014 features 3D animation, visual effects and creative tools updated to offer new workflow enhancements
Additional funding for R&D and Skills and public consultation on support for VFX through the tax system
Jellyfish Pictures has completed VFX shots on the BBC production of The Challenger, airing this evening on BBC TWO in the UK
The new version of modo from Luxology will offer a procedural particle engine, improved dynamics performance and audio enhancements
Park Road Post has revealed the impact of SGO’s Mistika on the innovative workflow which helped enable The Hobbit – An Unexpected Journey to be delivered in 3D and 48 frames per second
MPC has released its visual effects technical breakdown of Prometheus, on YouTube
VFX technology innovator The Foundry and 3D modelling/rendering specialist Luxology have joined forces
Adobe unveils a collaborative video platform to allow Premiere Pro, After Effects and Adobe Prelude users to work together using centralised media and assets.
A private equity house, Endless LLP, has acquired Cinesite from Kodak for an undisclosed amount
The Foundry is offering up to 95% off its professional VFX software solutions for the educational sector
“Tintin” leads with most feature nominations; “Boardwalk Empire” for broadcast