MPC clocks up a grand display of VFX for Disney’s The Nutcracker and the Four Realms
MPC crafts over 1000 shots, from CG environments including palaces, forests and rivers, to large-scale FX work, digital character builds and animation
MPC crafts over 1000 shots, from CG environments including palaces, forests and rivers, to large-scale FX work, digital character builds and animation
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
MPC completed 500 VFX shots for Wonder Woman, delivering hero digital characters, crowd simulations, destruction simulations and environment extensions
MPC’s 1100 VFX shots for the fifth Pirates of the Caribbean movie include epic ship battles, a motley crew of ghost sailors, CG islands and ghost sharks
MPC Film has created more than 200 vfx shots for Independence Day: Resurgence, including the action-packed opening sequence on the Moon.
MPC completed around 900 shots across 10 months of post-production for heroic action-thriller, The Finest Hours.
MPC’s work on a Fleur & Manu spot for Perrier offers a frenetic explosion of colours and sounds over the stunning backdrop of the Iguazu Falls.
MPC has created 300 2D and 3D VFX shots for Disney’s Into the Woods, including digital doubles, CG creatures, environments, elements and digital matte painting.
Tom Cruise is in a perilous state in Edge of Tomorrow, courtesy of VFX from MPC and Cinesite
The team at MPC Creative has released Cannesappé, a handy guide to Cannes Lions 2014
The latest X-Men blockbuster, Days of Future Past, saw lead VFX studio MPC deliver 372 shots, including a monster mutant hunter, virtual environments, CG aircraft and even pyramids.
Branding / Postproduction / VFX / Visual Effects
by The Editor · Published 18 March 2014 · Last modified 1 July 2016
MPC’s VFX team created an animated digital feline, complete with skeleton, fur,muscle structure and a talent for belting out Starship’s “We Built This City” for Three
The Visual Effects Society (VES), held its 12th Annual Awards this week, with UK teams from Framestore and Moving Picture Company among those honoured
MPC completed approximately 250 VFX shots on fantasy adventure 47 Ronin, creating fully CG characters, simulations and digital environments.
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
T&F and Valiant splash out for Vilcek Foundation
27 August 2013
Broadcast News / Interactive / Interactive & Web / Scotland / Web & Interactive News
BBC makes multiplatform history
18 January 2010