Framestore was creative partner on Andy Serkis’ Mowgli: Legend of the Jungle, a live-action adaptation of Rudyard Kipling’s 1894 novel ‘The Jungle Book’, delivering 1164 shots of VFX work for the feature. Framestore’s film team took...
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
MPC completed 500 VFX shots for Wonder Woman, delivering hero digital characters, crowd simulations, destruction simulations and environment extensions
MPC’s 1100 VFX shots for the fifth Pirates of the Caribbean movie include epic ship battles, a motley crew of ghost sailors, CG islands and ghost sharks
One Of Us has created a team a swarm of face-hugging CG bees for a character in Tim Burton’s Miss Peregrine’s Home for Peculiar Children
MPC Film has created more than 200 vfx shots for Independence Day: Resurgence, including the action-packed opening sequence on the Moon.
Gramercy Park Studios creates series of promos for Channel 5’s Big Brother, using Flame, RealFow, Maya and Bullet dynamics
MPC completed around 900 shots across 10 months of post-production for heroic action-thriller, The Finest Hours.
Autodesk’s flagship 3D VFX and finishing tool moves to a software-only subscription-based product, running on Mac OS X as well as Linux