MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
Tagged: vfx supervisor
Visual effects studio Brewster Parsons, advertising agency twofifteenmccann and Anonymous Content director Malcolm Venville have collaborated on spots to show how the Kinect for Xbox 360 has inspired people to experience the world in new ways.
Fuel VFX delivered 120 shots in six sequences for the latest Marvel blockbuster Captain America: The First Avenger, subjecting the superhero to a battery of elements
Double Negative’s vfx work was honoured at the 83rd Annual Academy Awards when the visual effects award went to Christopher Nolan’s movie, Inception.
Rushes has completed full pre-production and concept design along with 312 total VFX shots and full CG Selenite creature animation for ‘The First Men In The Moon’, the latest outing on the BBC for director and screenwriter pair, Damon Thomas and Mark Gatiss.
VFX and DI post boutique uFX has revealed details of its extensive work on the forthcoming ‘anim-action’ feature Jackboots On Whitehall.
Prince of Persia: The Sands of Time’s stunning visual effects were created almost entirely in London, with Framestore contributing some 124 shots, including the creation of the movie’s breathtaking penultimate action sequence.
During the making of Harry Potter and the Deathly Hallows pt1 and pt2, Fired By Design caught up with award-winning VFX supervisor David Vickery for a Q&A session