Tagged: Visual Effects

MPC delivered over 350 shots for Jack the Giant Slayer in native 3D.

Giant VFX bean feast

A mammoth digital beanstalk, CG environments, digital set extensions and destruction work were on the MPC menu for Bryan Singer’s Jack the Giant Slayer.

DNEg scoops VFX Bafta

Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.

Scene from The Foundling, directed by RSA's Barney Cokeliss_Image courtesy of Framestore

Horns of a dilemma

Framestore has taken Philips’ Parallel Lines campaign into a new dimension with RSA’s The Foundling, with stereo 3D postproduction using SGO Mistika

Fizzing fantasy

Nexus directors Fx & Mat and Framestore have created an entirely CG 60-second film, Siege. The epic fantasy spot for Wieden + Kennedy Portland and Coca Cola aired in the US at Super Bowl XLV

Tiny crew, big target

Creative production studio Motion Theory has released a cinematic fully animated project to help US retailer Target launch new grocery departments in many stores

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