Tagged: Visual Effects

MPC delivered over 350 shots for Jack the Giant Slayer in native 3D. 0

Giant VFX bean feast

A mammoth digital beanstalk, CG environments, digital set extensions and destruction work were on the MPC menu for Bryan Singer’s Jack the Giant Slayer.

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DNEg scoops VFX Bafta

Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.

Scene from The Foundling, directed by RSA's Barney Cokeliss_Image courtesy of Framestore 0

Horns of a dilemma

Framestore has taken Philips’ Parallel Lines campaign into a new dimension with RSA’s The Foundling, with stereo 3D postproduction using SGO Mistika

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Fizzing fantasy

Nexus directors Fx & Mat and Framestore have created an entirely CG 60-second film, Siege. The epic fantasy spot for Wieden + Kennedy Portland and Coca Cola aired in the US at Super Bowl XLV

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Tiny crew, big target

Creative production studio Motion Theory has released a cinematic fully animated project to help US retailer Target launch new grocery departments in many stores

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