MPC completed approximately 250 VFX shots on fantasy adventure 47 Ronin, creating fully CG characters, simulations and digital environments.
Tagged: stereoscopic 3D
Milk reveals the work behind the dramatic explosion sequences in Sherlock and three stereoscopic CG creatures in David Attenborough’s Natural History Museum Alive 3D.
The BBC’s Doctor Who 50th anniversary episode: The Day of the Doctor scooped 10.2 million viewers last Saturday, aided by 129 visual effects from Milk
Park Road Post has revealed the impact of SGO’s Mistika on the innovative workflow which helped enable The Hobbit – An Unexpected Journey to be delivered in 3D and 48 frames per second
Cinesite has completed over 800 visual effects shots and converted over 87 minutes into 3D for Disney’s John Carter.
3ality Technica now provides all of the control, accuracy, breadth, automation, modularity, accessories, and design of both existing S3D product lines
Framestore has taken Philips’ Parallel Lines campaign into a new dimension with RSA’s The Foundling, with stereo 3D postproduction using SGO Mistika
The Royal Television Society (RTS) has launched the Craft & Design Awards 2009/2010
Framestore has announced a new high-profile film hire in the shape of Steve MacPherson as CTO, VFX.
Pix Mix has created what is believed to be one of the first live action Stereo3D commercials in Europe. The spot, produced for Lactogal to promote its Mimosa dairy brand, was finished using a Stereo3D-equipped Quantel Pablo.
Among the UK companies honoured at the annual VES awards, The Mill has received three nominations, MPC has four, Framestore has six, while Double Negative is in the running for four awards.
Stereo 3D technology introduces a new way of looking at the British royal family, as well as Frankenstein and Hannah Montana, in a multi-strand project for Channel 4
Stereoscopic film – 3D – is easy, right? Wrong. It’s actually fraught with difficulties from the filmmakers’ point of view. Now Michael Fink, CEO Prime Focus VFX and Oscar-winning visual effects supervisor, can reveal...
VFX veteran Michael Fink reveals Prime Focus View-D
IBC, held annually in Amsterdam in September, offered a chance to catch up on the latest technology and trends in the broadcast and film world