3ality Technica now provides all of the control, accuracy, breadth, automation, modularity, accessories, and design of both existing S3D product lines [...]
Continue reading 3ality Digital acquires Element Technica
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 Framestore has taken Philips’ Parallel Lines campaign into a new dimension with RSA’s The Foundling, with stereo 3D postproduction using SGO Mistika [...] Continue reading Horns of a dilemma Framestore has announced a new high-profile film hire in the shape of Steve MacPherson as CTO, VFX. [...] Continue reading Steve MacPherson new CTO, VFX at Framestore Among the UK companies honoured at the annual VES awards, The Mill has received three nominations, MPC has four, Framestore has six, while Double Negative is in the running for four awards. [...] Continue reading The Mill, Framestore, MPC and DNeg pick up VES nominations Stereo 3D technology introduces a new way of looking at the British royal family, as well as Frankenstein and Hannah Montana, in a multi-strand project for Channel 4 [...] Continue reading Royal review Stereoscopic film – 3D – is easy, right? Wrong. It’s actually fraught with difficulties from the filmmakers’ point of view. Now Michael Fink, CEO Prime Focus VFX and Oscar-winning visual effects supervisor, can reveal all about View-D, a solution hatched by his team to answer a simple question: how do you turn 2D footage into 3D film without breaking the bank? Continue reading “Revelation: Michael Fink on View-D” » IBC, held annually in Amsterdam in September, offered a chance to catch up on the latest technology and trends in the broadcast and film world [...] Continue reading IBC 2009 Roundup |   
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Recently I reviewed the new version of the venerable DTP software and set out some key tips for using it in a Masterclass feature for Macworld [...]
In this feature, commissioned by Macworld, I track the last ten years of Mac OS X. It ends with a preview of Mac OS X 7- Codenamed Lion, which is due this summer. [...]
What is the secret of convincing portraiture, whether done digitally or in traditional media or a mixture of the two? Find out in this feature [...]