MPC’s 1100 VFX shots for the fifth Pirates of the Caribbean movie include epic ship battles, a motley crew of ghost sailors, CG islands and ghost sharks
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
MPC completed approximately 250 VFX shots on fantasy adventure 47 Ronin, creating fully CG characters, simulations and digital environments.
The new version of modo from Luxology will offer a procedural particle engine, improved dynamics performance and audio enhancements
Cinesite has completed over 800 visual effects shots and converted over 87 minutes into 3D for Disney’s John Carter.
The Mill’s double-BAFTA winning TV team has created the iconic ticking crocodile for Sky Movies HD’s forthcoming live-action movie epic, Neverland.
Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.
Twenty years ago, 3ds Max – then known as 3D Studio DOS – was launched. The Autodesk celebrations start with a microsite…
Animation studio Nathan Love and ad agency 22squared have together created a series of high quality animated broadcast spots for Baskin-Robbins’ US summer advertising campaign.
Prime Focus Software, the R&D arm of Prime Focus, is seeking visual effects companies and individuals to participate in the Beta Testing program for Krakatoa 1.6.
Prince of Persia: The Sands of Time’s stunning visual effects were created almost entirely in London, with Framestore contributing some 124 shots, including the creation of the movie’s breathtaking penultimate action sequence.
Carrara 8 and Carrara 8 Pro have been released, providing improved animation tools, enhanced lighting, new vegetation tools and optimised rendering.
My review for E-On Software Vue 8 has been posted on Digital Arts
Free update to digital nature software adds a host of new features and performance improvements
The Embassy Visual Effects has been nominated for an Academy Award for Best Visual Effects for its climactic battle sequence and elaborate exo-suit work on District 9, directed by Neill Blomkamp