Harry Potter ends in a flood of VFX
Framestore finishes VFX work on Harry Potter and the Deathly Hallows: Part II, marking the end of ten years of helping to bring the world created by JK Rowling to magical life
Tagged: framestore
DNEg scoops VFX Bafta
Congratulations to Double Negative which has won the award for Special Visual Effects in this year’s BAFTA awards for its work on Inception. The prize followed a clutch of awards for the film at the annual Visual Effects Society awards, which also saw MPC and Framestore win gongs.
Horns of a dilemma
Framestore has taken Philips’ Parallel Lines campaign into a new dimension with RSA’s The Foundling, with stereo 3D postproduction using SGO Mistika
Fizzing fantasy
Nexus directors Fx & Mat and Framestore have created an entirely CG 60-second film, Siege. The epic fantasy spot for Wieden + Kennedy Portland and Coca Cola aired in the US at Super Bowl XLV
Rude elf
Harry Potter and the Deathly Hallows: Part 1 sees Framestore providing some of its finest work yet, including recreated house-elves, a magical animated storybook sequence and other dazzling VFX- 110 shots in all.
Framestore hires Helen Hughes
Framestore is further strengthening its production department by hiring Helen Hughes as senior producer.
Persian Peril
Prince of Persia: The Sands of Time’s stunning visual effects were created almost entirely in London, with Framestore contributing some 124 shots, including the creation of the movie’s breathtaking penultimate action sequence.
