VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
As the 68th Edinburgh International Film Festival gets underway, we look at how digital technology and creative planning have brought it bang up to date.
A new report shows a clear opportunity for a new film and TV studio facility in Scotland, recommending the building of a foundation studio if private sector investment can’t be found.
Cinesite recreates 18th Century London in 3D for Pirates of the Caribbean: On Stranger Tides, with more than 300 stereoscopic visual effects shots
Adobe and Directors UK (formerly DPRS) are co-hosting an evening focused on The Making of Monsters, the sci-fi smash produced using the Adobe Creative Suite, with an appearance by director Gareth Edwards.
Prime Focus collaborates with Taptu to create a UGC short film contest, giving young filmmakers the chance to win an internship at the VFX facility
Vicon House of Moves has developed an animated CG film as part of the launch efforts for new superhero franchise The Guardian Project by GME and NHL.
The Adobe Museum Of Digital Media, a one-of-a-kind digital venue, opens its doors on October 6.
Framestore has announced a new high-profile film hire in the shape of Steve MacPherson as CTO, VFX.
A glittering Opening Night Gala launched the 2010 Edinburgh International Film Festival, as guests arrived for the UK premiere of The Illusionist.
Rushes Soho Shorts has announced the Official Selection for the 2010 Festival.
Rushes Soho Shorts is calling for submissions for its 12th “celebration of everything short.”
Crying With Laughter, a bold, low budget, Scottish revenge thriller, has scooped the top prize of Best Film at this year’s Scottish BAFTA awards
Bonfire Labs, Phoenix Editorial and design firm IDEO have mixed 3D, animation, live-action, hand drawing and rotoscoping in a welcome video for the Living Climate Change site
Prime Focus VFX has created 124 effects shots for the Stephen Sommers film “G.I. JOE: The Rise of Cobra”, work that entailed building a complex animation pipeline and orchestrating a flying swarm of bioweaponry for an aerial sequence.