Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
They’ll be extending the trophy cabinet at Framestore this morning after Gravity scooped the Best Visual Effects award as well as a clutch of other Oscars, including Best Cinematography, Best Film Editing, Best Original Score, Best Sound Editing, Best Sound Mixing and the Best Directing award.
The Rolling Stones film, Stones in Exile, showing tonight on BBC1 offers a first-hand glimpse of the making of one of rock’s classic albums, Exile on Main Street. Mixing newly-shot footage with a wealth of archive video and audio recordings, Envy Post Production used creative techniques to bring the material up to scratch.
Stereoscopic film – 3D – is easy, right? Wrong. It’s actually fraught with difficulties from the filmmakers’ point of view. Now Michael Fink, CEO Prime Focus VFX and Oscar-winning visual effects supervisor, can reveal...