Prime Focus VFX has created 124 effects shots for the Stephen Sommers film “G.I. JOE: The Rise of Cobra”, work that entailed building a complex animation pipeline and orchestrating a flying swarm of bioweaponry for an aerial sequence.
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Hollywood VFX veteran Michael Fink unveils his directing debut for Indian TV – an amphibious Prime Focus commercial for Lotte Coffy Bite toffee.
A wealth of talent from the UK VFX industry is set for a strong showing at BAFTA in London this coming Wednesday, as the inauguaral VFX-Imagination Unlimited conference gets underway.
Autodesk has announced that the forthcoming version of Softimage, due out next month, will be the last.
Additional funding for R&D and Skills and public consultation on support for VFX through the tax system
Amazing Spectacles has combined traditional hand drawn animation with After Effects and other digital post techniques in a spot directed by Richard Bazely
Heavenly has brought the BBC Entertainment brand to life through a combination of beautiful and sophisticated visuals, an expressive human element and cutting-edge digital animation techniques.
The traditional way of whittling down applicants for 3D jobs is to view showreels. But how can you make sure your reel makes the interview shortlist?
Ingenuity Engine’s futuristic music promo for ‘I Can Transform Ya’, features singer Chris Brown, producer Swizz Beatz and rapper Lil Wayne as they deconstruct and shapeshift into sports cars, armoured tanks, helicopters and other...
Prime Focus has completed the post work on a promo inspired by Alice in Wonderland for Robbie Williams’ latest single, You Know Me
Stereoscopic film – 3D – is easy, right? Wrong. It’s actually fraught with difficulties from the filmmakers’ point of view. Now Michael Fink, CEO Prime Focus VFX and Oscar-winning visual effects supervisor, can reveal...
VFX veteran Michael Fink reveals Prime Focus View-D
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
Sony has unveiled 2 new CineAlta 4K cameras, complemented by new accessories, new recording format and lenses, as well as a 4K Raw path for the FS700E