Senior colourist Park Jin-Ho walks us through some of his work on Park Chan-wook’s award-winning thriller
Long form stories and features, with more in-depth content
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
How can you be more creative? The creative block is an all too familiar visitor to many designers. However creative people are also expert at coming up with solutions to problems…
A insight into the visual effects of James Cameron’s Avatar, detailing work by Framestore, Prime Focus and Modern VideoFilm, with behind the scenes images.
Read how Frantic Films used Thinking Particles and Massive Software to create a titanic sea battle for John Woo’s historical epic Red Cliff