MPC adds magic to Into the Woods
MPC has created 300 2D and 3D VFX shots for Disney’s Into the Woods, including digital doubles, CG creatures, environments, elements and digital matte painting.
MPC has created 300 2D and 3D VFX shots for Disney’s Into the Woods, including digital doubles, CG creatures, environments, elements and digital matte painting.
LipSync completed full post on BBC TWO’s Wolf Hall with the facility providing audio, VFX, grading, titles and all deliverables
Framestore has recreated Michael Bond’s famous Paddington bear for his big screen debut.
Inspiration / VFX / Virtual Production / Visual Effects
by Michael Burns · Published October 21, 2014
Doctor Who: Flatline contains 66 VFX shots created by axisVFX, including a new multi-dimensional menace called the Boneless.
Leviathan has created kaleidoscopic noir titles for the new Starz drama series, Power
The latest X-Men blockbuster, Days of Future Past, saw lead VFX studio MPC deliver 372 shots, including a monster mutant hunter, virtual environments, CG aircraft and even pyramids.
Animation / Branding / Inspiration / VFX / Visual Effects
by Michael Burns · Published April 28, 2014 · Last modified May 2, 2014
Golden Sq and Disqo have carried out the production and VFX on a series of morphing idents for Viasat History, as part of a multi-channel rebrand.
Animation / VFX / Visual Effects
by Michael Burns · Published April 17, 2014 · Last modified May 1, 2014
Galaxy 61 has created an opulent show intro for VH1’s new US season of The Fabulous Life.
Postproduction / VFX / Visual Effects
by Michael Burns · Published April 2, 2014 · Last modified July 1, 2016
Aiming to mix drinks in zero-G for a Robinsons spot, Framestore took a trip up in a vomit comet to capture weightlessness for real.
Inspiration / VFX / Visual Effects
by Michael Burns · Published March 21, 2014 · Last modified May 1, 2014
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
Branding / Postproduction / VFX / Visual Effects
by Michael Burns · Published March 18, 2014 · Last modified July 1, 2016
MPC’s VFX team created an animated digital feline, complete with skeleton, fur,muscle structure and a talent for belting out Starship’s “We Built This City” for Three
MPC completed approximately 250 VFX shots on fantasy adventure 47 Ronin, creating fully CG characters, simulations and digital environments.
Milk reveals the work behind the dramatic explosion sequences in Sherlock and three stereoscopic CG creatures in David Attenborough’s Natural History Museum Alive 3D.
Postproduction / VFX / Visual Effects
by Michael Burns · Published December 3, 2013 · Last modified May 1, 2014
LipSync Post has provided VFX and full postproduction services for two BBC One dramas that mark the 50th anniversary of The Great Train Robbery
Stereoscopic 3D / VFX / Visual Effects
by Michael Burns · Published November 25, 2013 · Last modified May 1, 2014
The BBC’s Doctor Who 50th anniversary episode: The Day of the Doctor scooped 10.2 million viewers last Saturday, aided by 129 visual effects from Milk
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
T&F and Valiant splash out for Vilcek Foundation
27 Aug, 2013
Broadcast News / Interactive / Interactive & Web / Scotland / Web & Interactive News
BBC makes multiplatform history
18 Jan, 2010