Twin Pines infests 16th-century Seville with a host of VFX for La Peste
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
Category: Visual Effects
Maxine Gervais applies a royal grade to Black Panther
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Cinematographer Jeremy Benning on creating the look of The Expanse
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
MPC delivers destructive VFX and digital doubles for The Dark Tower
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
Lola takes two-year CG trip for the new Teletubbies
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
MPC’s heroic effort delivers hundreds of VFX shots for Wonder Woman
MPC completed 500 VFX shots for Wonder Woman, delivering hero digital characters, crowd simulations, destruction simulations and environment extensions
GPS delivers smashing VFX for Big Brother ident
Gramercy Park Studios creates series of promos for Channel 5’s Big Brother, using Flame, RealFow, Maya and Bullet dynamics
Peepshow delivers psychedelic visuals for NatGeo’s Map of Hell
Peepshow Collective has created over 30 animated sequences for National Geographic’s Map Of Hell.
Axis and Relic dream up nightmarish Dawn of War III trailer
The epic trailer for the latest Warhammer 40,000 installment is a brooding, dark science-fantasy, with a suitably grim Paul Leonard-Morgan soundtrack
MPC storms ahead on The Finest Hours
MPC completed around 900 shots across 10 months of post-production for heroic action-thriller, The Finest Hours.
Perrier spot takes off with a riot of colourful VFX from MPC Paris
MPC’s work on a Fleur & Manu spot for Perrier offers a frenetic explosion of colours and sounds over the stunning backdrop of the Iguazu Falls.
MPC adds magic to Into the Woods
MPC has created 300 2D and 3D VFX shots for Disney’s Into the Woods, including digital doubles, CG creatures, environments, elements and digital matte painting.
LipSync reveals secrets behind world of Wolf Hall
LipSync completed full post on BBC TWO’s Wolf Hall with the facility providing audio, VFX, grading, titles and all deliverables
Framestore creates marmalade, mayhem and more for Paddington
Framestore has recreated Michael Bond’s famous Paddington bear for his big screen debut.
Doctor Who’s Boneless threat brought to life by axisVFX
Doctor Who: Flatline contains 66 VFX shots created by axisVFX, including a new multi-dimensional menace called the Boneless.
