
Framestore was the sole provider of digital visual effects for Steven Spielberg’s War Horse, delivering over 200 shots to the movie. [...]
Continue reading War Horse : VFX on the Front Line
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![]() Framestore was the sole provider of digital visual effects for Steven Spielberg’s War Horse, delivering over 200 shots to the movie. [...] Continue reading War Horse : VFX on the Front Line ![]() Visual effects studio Brewster Parsons, advertising agency twofifteenmccann and Anonymous Content director Malcolm Venville have collaborated on spots to show how the Kinect for Xbox 360 has inspired people to experience the world in new ways. [...] Continue reading (X)box of tricks Heavenly has brought the BBC Entertainment brand to life through a combination of beautiful and sophisticated visuals, an expressive human element and cutting-edge digital animation techniques. [...] Continue reading Dancing crystal identity Independent Films’ Thierry Poiraud has created a magical spot for Réseau Ferré de France, using clever cinematography, model making and 3D animation [...] Continue reading Model railways ![]() Framestore has created a cute, but not so cuddly CG koala for a Specsavers TV ad. [...] Continue reading Marsupial menace Fuel VFX delivered 120 shots in six sequences for the latest Marvel blockbuster Captain America: The First Avenger, subjecting the superhero to a battery of elements [...] Continue reading Neither snow nor fire nor water nor Hydra stays Captain America… ![]() Cinesite recreates 18th Century London in 3D for Pirates of the Caribbean: On Stranger Tides, with more than 300 stereoscopic visual effects shots [...] Continue reading Voyage in 3D On Stranger Tides | |||||
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