Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
Category: Visual Effects
MPC crafts over 1000 shots, from CG environments including palaces, forests and rivers, to large-scale FX work, digital character builds and animation
MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black’s explosive reinvention of the Predator series
VFX Legion has created over 100 digital effects for Superfly, Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when...
See how Madrid-based Twin Pines’ team of 35 VFX artists created over 500 shots for the hugely successful Spanish TV series La Peste (The Plague)
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
MPC completed 500 VFX shots for Wonder Woman, delivering hero digital characters, crowd simulations, destruction simulations and environment extensions
Gramercy Park Studios creates series of promos for Channel 5’s Big Brother, using Flame, RealFow, Maya and Bullet dynamics
Peepshow Collective has created over 30 animated sequences for National Geographic’s Map Of Hell.
The epic trailer for the latest Warhammer 40,000 installment is a brooding, dark science-fantasy, with a suitably grim Paul Leonard-Morgan soundtrack
MPC completed around 900 shots across 10 months of post-production for heroic action-thriller, The Finest Hours.
MPC’s work on a Fleur & Manu spot for Perrier offers a frenetic explosion of colours and sounds over the stunning backdrop of the Iguazu Falls.