Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Category: Visual Effects
Jeremy Benning CSC reveals how he crafted the look of The Belt, Mars and a future life in space, for sci-fi series The Expanse
The Dark Tower presented lead VFX studio MPC with a range of visual challenges including complex creature animation, digital doubles, expansive environment builds, and destruction simulations – comprising more than 400 VFX shots in all.
Lola Post Production has revealed its work as sole VFX vendor on 120 episodes of the new, updated Teletubbies, currently on CBeebies
MPC completed 500 VFX shots for Wonder Woman, delivering hero digital characters, crowd simulations, destruction simulations and environment extensions
Peepshow Collective has created over 30 animated sequences for National Geographic’s Map Of Hell.
The epic trailer for the latest Warhammer 40,000 installment is a brooding, dark science-fantasy, with a suitably grim Paul Leonard-Morgan soundtrack
MPC’s work on a Fleur & Manu spot for Perrier offers a frenetic explosion of colours and sounds over the stunning backdrop of the Iguazu Falls.
Framestore has recreated Michael Bond’s famous Paddington bear for his big screen debut.
Doctor Who: Flatline contains 66 VFX shots created by axisVFX, including a new multi-dimensional menace called the Boneless.
Leviathan has created kaleidoscopic noir titles for the new Starz drama series, Power