Technicolor colourist Doug Delaney has revealed his workflow on Captain Marvel and how he used Baselight to manage both the look of the film and his team of experts on the VFX-heavy blockbuster
Black Panther saw colourist Maxine Gervais collaborate on an eye-catching creative journey with cinematographer Rachel Morrison, ASC, using a network of several Baselight colour grading workstations
Trunk has created an animated film for the song Pretty Polly, from Lodestar, the first album in 38 years from folk singer Shirley Collins
LipSync completed full post on BBC TWO’s Wolf Hall with the facility providing audio, VFX, grading, titles and all deliverables
Aiming to mix drinks in zero-G for a Robinsons spot, Framestore took a trip up in a vomit comet to capture weightlessness for real.
MPC’s VFX team created an animated digital feline, complete with skeleton, fur,muscle structure and a talent for belting out Starship’s “We Built This City” for Three
LipSync Post has provided VFX and full postproduction services for two BBC One dramas that mark the 50th anniversary of The Great Train Robbery
Visual effects house Cinesite completed over 430 shots on Paramount’s World War Z, including turning Glasgow into Philadelphia, as well as stereo conversion of the VFX. Framestore’s Art Department developed the concepts for the film’s zombies and their unique style of movement, while The Third Floor provided digital previsualisation for the film. MPC also contributed VFX to bring the zombie swarms to horrific life.
An ultra-high-resolution presentation of over 7000 horizontal pixels on a 70m wide screen was a visual highlight of the UN Climate Change Conference
Framestore has joined forces with BBH for a global deodorant advertising campaign where consumers can win a trip into space.
PlayDead has created innovative motion graphics and titles for the BBC1 series “Kevin Bridges: What’s The Story?”, which follows the comedian as he discusses the inspirations for his standup routine. Follows being the operative word here – the graphics float around after the Glaswegian comic like a swarm of bees.
Amazing Spectacles has combined traditional hand drawn animation with After Effects and other digital post techniques in a spot directed by Richard Bazely
Dublin-based post facility Screen Scene has revealed how it graded the first series of HBO’s successful television fantasy drama Game of Thrones
Brickyard VFX has created a promo for Beyoncé’s new release ‘4’, which presents a hand-painted view of iconic international landmarks.
The Mill’s double-BAFTA winning TV team has created the iconic ticking crocodile for Sky Movies HD’s forthcoming live-action movie epic, Neverland.