With VFX by Rushes, the short film Pure won best Urban Music Video for London R&B collective Last Night In Paris at the 2014 UK Music Video Awards.
Framestore has recreated Michael Bond’s famous Paddington bear for his big screen debut.
Doctor Who: Flatline contains 66 VFX shots created by axisVFX, including a new multi-dimensional menace called the Boneless.
A poignant reminder of the WWI soldiers who ‘never came home’ is depicted in a new animation by Aardman for London’s Imperial War Museum
Tom Cruise is in a perilous state in Edge of Tomorrow, courtesy of VFX from MPC and Cinesite
Leviathan has created kaleidoscopic noir titles for the new Starz drama series, Power
The latest X-Men blockbuster, Days of Future Past, saw lead VFX studio MPC deliver 372 shots, including a monster mutant hunter, virtual environments, CG aircraft and even pyramids.
Golden Sq and Disqo have carried out the production and VFX on a series of morphing idents for Viasat History, as part of a multi-channel rebrand.
Galaxy 61 has created an opulent show intro for VH1’s new US season of The Fabulous Life.
Celebrating 20 years of business, Purple Creative created a limited-edition whisky in 4 different specially-designed bottles for its industry friends
Aiming to mix drinks in zero-G for a Robinsons spot, Framestore took a trip up in a vomit comet to capture weightlessness for real.
Rebranding the Williams F1 team was a dynamic and high-octane project for hat-trick design.
Cinesite completed over 350 visual effects for 300: Rise of an Empire, including epic 2.5D and 3D CG environments
MPC’s VFX team created an animated digital feline, complete with skeleton, fur,muscle structure and a talent for belting out Starship’s “We Built This City” for Three
Leviathan has created a visually arresting title sequence for The Red Road, a new SundanceTV original scripted series.