sigur rós is running a 24-hour ‘slow tv’ event live on Iceland’s RÚV2 and YouTube, set to a constantly evolving Bronze soundtrack based on new song óveður
Jack Driscoll’s colourful handmade film for Tinct Handbags uses a combination of stop motion and high-speed filming to showcase leather accessories.
Gramercy Park Studios creates series of promos for Channel 5’s Big Brother, using Flame, RealFow, Maya and Bullet dynamics
Peepshow Collective has created over 30 animated sequences for National Geographic’s Map Of Hell.
The epic trailer for the latest Warhammer 40,000 installment is a brooding, dark science-fantasy, with a suitably grim Paul Leonard-Morgan soundtrack
MPC completed around 900 shots across 10 months of post-production for heroic action-thriller, The Finest Hours.
Bluecadet has designed a cinematic, projection-mapped recreation of Van Gogh’s bedroom at Arles and custom interactive surfaces to accompany a unique exhibition of the artist’s Bedrooms paintings
MPC’s work on a Fleur & Manu spot for Perrier offers a frenetic explosion of colours and sounds over the stunning backdrop of the Iguazu Falls.
MPC has created 300 2D and 3D VFX shots for Disney’s Into the Woods, including digital doubles, CG creatures, environments, elements and digital matte painting.
LipSync completed full post on BBC TWO’s Wolf Hall with the facility providing audio, VFX, grading, titles and all deliverables
With VFX by Rushes, the short film Pure won best Urban Music Video for London R&B collective Last Night In Paris at the 2014 UK Music Video Awards.
Framestore has recreated Michael Bond’s famous Paddington bear for his big screen debut.
Doctor Who: Flatline contains 66 VFX shots created by axisVFX, including a new multi-dimensional menace called the Boneless.
A poignant reminder of the WWI soldiers who ‘never came home’ is depicted in a new animation by Aardman for London’s Imperial War Museum
Tom Cruise is in a perilous state in Edge of Tomorrow, courtesy of VFX from MPC and Cinesite