Framestore was creative partner on Andy Serkis’ Mowgli: Legend of the Jungle, a live-action adaptation of Rudyard Kipling’s 1894 novel ‘The Jungle Book’, delivering 1164 shots of VFX work for the feature. Framestore’s film team took...
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Framestore has recreated Michael Bond’s famous Paddington bear for his big screen debut.
Aiming to mix drinks in zero-G for a Robinsons spot, Framestore took a trip up in a vomit comet to capture weightlessness for real.
They’ll be extending the trophy cabinet at Framestore this morning after Gravity scooped the Best Visual Effects award as well as a clutch of other Oscars, including Best Cinematography, Best Film Editing, Best Original Score, Best Sound Editing, Best Sound Mixing and the Best Directing award.
The Visual Effects Society (VES), held its 12th Annual Awards this week, with UK teams from Framestore and Moving Picture Company among those honoured
Framestore delivered 113 shots for Iron Man 3 in eight weeks, working on the titular hero himself and helping set the look for one of the movie’s key effects – Extremis.
Framestore has joined forces with BBH for a global deodorant advertising campaign where consumers can win a trip into space.
Award-winning VFX artist returns to former facility after four years at Dreamworks
Framestore is further strengthening its production department by hiring Helen Hughes as senior producer.
Framestore has announced a new high-profile film hire in the shape of Steve MacPherson as CTO, VFX.
Among the UK companies honoured at the annual VES awards, The Mill has received three nominations, MPC has four, Framestore has six, while Double Negative is in the running for four awards.
Framestore, the largest visual effects and computer animation studio in Europe, is the latest major facility to invest in a Nuke site license.
Adobe has acquired Allegorithmic, in a move intended to boost immersive and interactive content creation for users of its Creative Cloud tools
A wealth of talent from the UK VFX industry is set for a strong showing at BAFTA in London this coming Wednesday, as the inauguaral VFX-Imagination Unlimited conference gets underway.
Visual effects house Cinesite completed over 430 shots on Paramount’s World War Z, including turning Glasgow into Philadelphia, as well as stereo conversion of the VFX. Framestore’s Art Department developed the concepts for the film’s zombies and their unique style of movement, while The Third Floor provided digital previsualisation for the film. MPC also contributed VFX to bring the zombie swarms to horrific life.